Robbie's Wife
This entry in the Hard Case Crime series doesn't read like a typical pulp-fiction crime novel, at least not at first. For the first 15o pages or so it is like a romance novel, appealing to the fantasies not of bored housewives but of aging male writers. A sixty-year-old screenwriter, Jack Stone, struggles with writer's block. He has just ended a marriage, so he decides to sell everything and take an extended trip to England to see if he can jump-start his creative juices (he says it's because at least they speak English in England, which is I guess a way of explaining why he doesn't move to Tuscany or Corfu). After slogging around along the damp Devon coast, he finds himself in a bed-and-breakfast on a sheep farm, where he falls head over heels for the proprietor's wife, Maggie.
She is, of course, a rarity--a farmer's wife who is also an ex-ballerina and an exquisite beauty. When the two kindle a romance, it is as if the author, Russell Hill, was attempting to fulfill the wishes of every graying lothario who thinks he can still catch the attention of a younger woman. Stone gets moon-eyed over his crush, and the book starts to curdle into hopeless sentimentality.
But then, about two-thirds of the way through, the book takes a vicious turn. Noir fiction is full of plots about cuckolded husbands being done away with, and it doesn't take a genius to figure out that things won't turn out well for Robbie, the eponymous farmer of the title. But I must admit the way he's "done away with" and the depths of depravity that Stone sinks to took me by astonishment.
Hill does a very nice job depicting the dreariness of the English countryside, and in the last few pages manages to ease over any concerns I had with the unbelievability of the romance between Stone and Maggie. My advice for anyone who picks this up is to stick with it, despite the lugubrious beginning.
She is, of course, a rarity--a farmer's wife who is also an ex-ballerina and an exquisite beauty. When the two kindle a romance, it is as if the author, Russell Hill, was attempting to fulfill the wishes of every graying lothario who thinks he can still catch the attention of a younger woman. Stone gets moon-eyed over his crush, and the book starts to curdle into hopeless sentimentality.
But then, about two-thirds of the way through, the book takes a vicious turn. Noir fiction is full of plots about cuckolded husbands being done away with, and it doesn't take a genius to figure out that things won't turn out well for Robbie, the eponymous farmer of the title. But I must admit the way he's "done away with" and the depths of depravity that Stone sinks to took me by astonishment.
Hill does a very nice job depicting the dreariness of the English countryside, and in the last few pages manages to ease over any concerns I had with the unbelievability of the romance between Stone and Maggie. My advice for anyone who picks this up is to stick with it, despite the lugubrious beginning.
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